Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Anton
Cesare Galeotti |
PART01916
arrangement/reduction |
19/6/1899 | |
Anton
Cesare Galeotti |
PART01909
full score |
16/11/1898 | |
Bohème, La
Giacomo Puccini |
PART00059
|
19/7/1895 | |
Bohème, La, Mi chiamano Mimì
Giacomo Puccini |
PART07157
|
||
Collana di Pasqua, La
Gaetano Luporini |
PART02299
full score |
||
Colonia libera, La
Pietro Floridia |
PART01852
full score |
13/3/1899 | |
Cristoforo Colombo
Alberto Franchetti |
PART01866
full score |
||
Dispetti amorosi, I, Strumentazione Preludio atto 3°
Gaetano Luporini |
PART05494
full score |
||
Duetto finale, (Wally-Hagenbach)
Alfredo Catalani |
PART00906
arrangement/reduction |