Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Adelaide e Comingio
Giovanni Pacini |
PART02983
full score |
||
Adelina
Pietro Generali |
PART01947
full score |
1810 | |
Adelina, Gabinetto di Lettura Musicale di Giuseppe Mancinelli
Pietro Generali |
PART07258
full score |
||
Ah si tua cara voce, Da: Le due illustri rivali - Duetto
Saverio Mercadante |
PART02735
arrangement/reduction |
||
Amor coniugale, L'
Giovanni Simone Mayr |
PART02681
full score |
||
A quel sangue un dì giurai, Da: Le due illustri rivali
Saverio Mercadante |
PART02733
arrangement/reduction |
||
Aria di Isaura
Gioachino Antonio Rossini |
PART03655
full score |
||
Arsace e Semira
Francesco Gnecco |
PART02068
full score |
1804 | |
Bravo, Il
Saverio Mercadante |
PART02718
|
3/1839 |