Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
3 Canzoni trecentesche
Alfredo Casella |
PART00774
full score |
12/6/1923 | |
Concerto , per violoncello e orchestra, op. 58
Alfredo Casella |
PART00757
full score |
1/11/1935 | |
Concerto , per orchestra, op. 61
Alfredo Casella |
PART00758
full score |
20/10/1937 | |
Concerto , per pianoforte, violino, violoncello e orchestra, op. 56
Alfredo Casella |
PART00756
full score |
21/10/1933 | |
Concerto grosso in re minore, n.11 de L'Estro armonico" (1716)
Antonio Vivaldi |
PART01065
full score |
1936 | |
Concerto per archi, Op. VVII n. 1
Giuseppe Baldassarre Sammartini |
PART01288
full score |
1935 | |
Concerto per vc. e orch., (op. 58)
Alfredo Casella |
PART00769
arrangement/reduction |
1934 | |
Convento Veneziano, El, Atto II
Alfredo Casella |
PART06913
|
||
Convento Veneziano, Il
Alfredo Casella |
PART06906
|