Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Caterina Howard
Matteo Salvi |
PART03739
full score |
4/1847 | |
Don Carlo
Pasquale Bona |
PART00368
full score |
||
Fioraja, La
Antonio Cagnoni |
PART00683
full score |
||
Gemelli di Preston, I
Luigi Bordese |
PART00370
full score |
||
Giralda
Antonio Cagnoni |
PART00677
full score |
||
Gladiatori, I
Jacopo Foroni |
PART01860
|
||
Margherita
Jacopo Foroni |
PART01861
|
||
Quatre fantaisies brillantes sur les motifs de l’opera Rolla de M.T. Mabellini, composées pour le pf. seul ou à 4 mains, op. 637 n. 1, 2, 3, 4
Carl Czerny |
PART01145
full score |
||
Regina di Leone, La
Angelo Villanis |
PART04401
full score |