Centro Studi Belliniani | Collezione Digitale

Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.

Score	Description	ID	Date
	2 Fantasie su motivi dell’opera Il templario di Nicolai per pf.a 4 mani, op. 605 n. 1, 2 Carl Czerny	PART01141 full score
	3 Fantaisies brillantes sur les motifs de l’opera Adelia de Donizetti , composées pour le pf. seul ou à 4 mains, op. 655, n.1,2,3 Carl Czerny	PART01139 full score
	Canzonette italiane , per una voce (s. o t.) col acc. del pf.composte da C. Czerny, op. 432. Parole di Metastasio Carl Czerny	PART01130 full score
	Fantasia , su motivi dell’opera Oberto Conte di S. Bonifacio di Verdi op. 620 per pf. solo e a 4 mani Carl Czerny	PART01144 full score
	Fantasia II e III su motivi dell’opera La Vestale di Mercadante, per pf. solo e a 4 mani, op. 614 n. 2 e n. 3 Carl Czerny	PART01142 full score
	I, II, III fantaisie (su motivi dell’opera Parisina di Donizetti), op. 327 n. 1, 2, 3 per pf. Solo Carl Czerny	PART01134 full score
	I, II, III fantaisie brillante, (su motivi de L’elisir d’amore (di Donizetti) op. 325 n. 1, 2, 3 (per pf. a 2 mani) Carl Czerny	PART01128 full score
	I, II, III fantaisie sur Marino Faliero de Donizetti , op. 393 n. 1, 2, 3 (per pf. solo) Carl Czerny	PART01129 full score
	I, II, III fantaisie sur les motifs de l’opera Lucrezia Borgia de Donizetti , op. 387 n. 1, 2, 3 (per pf. solo) Carl Czerny	PART01135 full score