Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
"Il Sospetto" , concerto per violino, archi e cembalo in do min. F.I n.2
Antonio Vivaldi |
PART07567
full score |
24/4/1947 | |
"Monologo del Tempo", dalla Rappresentazione di Anima e Corpo
Emilio Del Cavaliere |
PART07338
arrangement/reduction |
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"Quoniam tu solus sanctus", dal "Gloria" della Messa in fa M. a dieci voci
Giovanni Battista Pergolesi |
PART07339
arrangement/reduction |
||
1° Sinfonia, op. 18 (44), revisione di Renato Fasano
Muzio Clementi |
PART07512
full score |
||
2 Ariette antiche, trascritte per chitarra da Miguel Ablòniz
Alessandro Scarlatti , Antonio Caldara |
PART07458
full score |
||
2 Bourrées e Marcia, (della Ouverture francese)
Johann Sebastian Bach |
PART07456
full score |
||
2a Rapsodia Ungherese, Rid. per quintetto o orchestra di fisarmoniche
Franz Liszt |
PART07108
|
||
3 Fughe
Johann Ludwig Krebs |
PART07112
|
||
3 Piccoli pezzi antichi, Aria, Minuetto, Invenzione
Henry Purcell , Jeremiah Clarke , John Stanley |
PART07457
full score |