Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
4 Cantate, (inedite)
Alessandro Scarlatti |
PART07650
full score |
||
12 Composizioni profane e sacre, a cura di Wolfgang Osthoff
Claudio Monteverdi |
PART07668
full score |
||
20 Ricercari da sonar nel laùto, Libro 1
|
PART07649
other |
||
Bassi della Scuola Napoletana, con esempi realizzati
|
PART07226
|
||
Canti della terra e del mare di Sicilia, per C° e Pianoforte (Vol. IV)
Alberto Favara |
PART07610
full score |
||
Cedi oh Dio, dall'opera "Ifigenia in Aulide"
Niccolò Jommelli |
PART07869
arrangement/reduction |
||
Chi disse cà la femmena, dall'opera "Lo frate 'nnamorato"
Giovanni Battista Pergolesi |
PART07868
arrangement/reduction |
||
Concerto "Funebre" in Si bem. magg., per oboe, corno inglese, violino, due viole, violoncello, archi e cembalo. F. XII n 12
Antonio Vivaldi |
PART07060
|
||
Concerto in Do maggiore, per violino, due violoncelli, archi e cembalo
Antonio Vivaldi |
PART07064
|
1/1949 |