Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
"Monologo del Tempo", dalla Rappresentazione di Anima e Corpo
Emilio Del Cavaliere |
PART07338
arrangement/reduction |
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"Nel puro ardor", dall'Euridice
Jacopo Peri |
PART07341
arrangement/reduction |
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"Odi, Euterpe, il dolce canto", Aria VIII dalle Nuove Musiche
Giulio Caccini |
PART07337
arrangement/reduction |
||
"Quoniam tu solus sanctus", dal "Gloria" della Messa in fa M. a dieci voci
Giovanni Battista Pergolesi |
PART07339
arrangement/reduction |
||
1. Monologo d’Amleto, Atto II, Parte I
Franco Faccio |
PART01781
arrangement/reduction |
||
1. “Dors, ô cité perverse”, Da: Hérodiade
Jules Massenet |
PART02674
arrangement/reduction |
||
2° Concerto sacro, per bar., coro masch. e orch.
Sandro Fuga |
PART01894
arrangement/reduction |
1951 | |
3 Poesie di Montale
Roman Vlad |
PART06549
arrangement/reduction |
31/12/1976 | |
3 frammenti, Da: Storia per tre personaggi
Luciano Chailly |
PART00932
arrangement/reduction |