Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
5 Variazioni su un tema di Mozart, dall'aria "Porgi amor qualche ristoro"
Matteo D'Amico |
PART05069
full score |
1991 | |
19.XI.1871 , Verdi versus Wagner. per voce recit. e orch.
Matteo D'Amico |
PART05071
full score |
2000 | |
Acrobata, per quartetto vocale
Matteo D'Amico |
PART05016
full score |
1997 | |
Amin, dramma per musica in 1 atto
Matteo D'Amico |
PART05017
full score |
||
Angelus novus, cantata scenica in 7 quadri, per 2 s., voce recitante e piccola orch.
Matteo D'Amico |
PART05018
full score |
1992 | |
Animae corpus, balletto in 10 quadri per ms e orch.
Matteo D'Amico |
PART05019
|
1999 | |
Antologia per chitarra
Bruno Bettinelli , Luciano Chailly , Matteo D'Amico , Lorenzo Ferrero , Franco Margola , Fabio Vacchi , Giulio Viozzi , Gilberto Bosco |
PART06877
full score |
||
Aretusa, per oboe, corno, archi e percussioni
Matteo D'Amico |
PART05020
|
||
Attende Domine, per s. e archi
Matteo D'Amico |
PART05021
full score |