Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Bravo, Il
Saverio Mercadante |
PART02718
|
3/1839 | |
Ginevra di Scozia
Giuseppe Rota |
PART03668
full score |
12/3/1862 | |
Giuditta
Achille Peri |
PART03124
full score |
||
Guerra in quattro
Carlo Pedrotti |
PART03099
full score |
||
Isabella d’Aragona
Carlo Pedrotti , Giovanni Battista Pionzo |
PART03093
full score |
1858 | |
Michele Perrin
Antonio Cagnoni |
PART00684
full score |
||
Romeo e Giulietta
Filippo Marchetti |
PART02480
full score |
16/2/1865 | |
Tutti in maschera
Carlo Pedrotti |
PART03098
full score |
8/1856 | |
Zingarella, La, Ballata per voce di s. con acc. di pf.
Antonio Cagnoni |
PART00688
full score |
22/8/1868 |