Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Abbandono, L' , Da: Trois morceaux lyriques, op. 52
Antonio Bazzini |
PART00236
full score |
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Allegro dramatique , pour violon avec orchestre ou piano, op.51
Antonio Bazzini |
PART00234
full score |
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Chi ami? , Ballata in chiave di sol per ms.
Antonio Bazzini |
PART00246
|
24/7/1874 | |
Conte de Grand’Mère - Légende pour violon et piano. , Da: 2 Novellettes, op. 54
Antonio Bazzini |
PART00228
full score |
||
Due stornelli, in chiave di sol con acc. di pf.
Antonio Bazzini |
PART00243
full score |
||
Fantaisie dramatique sur l’air final de l’opera “Lucie de Lammermoor”, op. 10, pour violon avec orchestre ou piano (rid. per vl. e pf.)
Antonio Bazzini |
PART00232
full score |
||
Fiancés, Les, Da: Trois morceaux lyriques, op. 52
Antonio Bazzini |
PART00235
full score |
||
Fuga per pf., op. 14
Giuseppe Martucci |
PART02577
full score |
||
III Quartetto in mi bem. magg. op.76, per 2 violini, viola e violoncello
Antonio Bazzini |
PART00221
parts |