Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
3 Inni, 1821
Anonimo |
PART07438
full score |
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7 piccoli pezzi
Anonimo |
PART00138
full score |
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Amelia, ossia il bandito
Ivan Zajc |
PART04484
full score |
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Amoureux du journal, Les
Anonimo |
PART07766
full score |
||
Anelda di Messina
Edoardo Vera |
PART04364
full score |
||
Aria di Chiesa
Anonimo |
PART07406
full score |
||
Atto III - Opera senza titolo
Anonimo |
PART06900
|
||
Avvertimento ai mariti, (col titolo Avertimento a i mariti gelosi)
Giuseppe Mosca |
PART02817
full score |
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Bernabò Visconti
Lucio Campiani |
PART00712
full score and parts |