Centro Studi Belliniani | Collezione Digitale

Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.

Description	ID	Date
3 Frammenti all'Italia Sylvano Bussotti	PART00598 full score	1967
AN, quasi una serenata per flauto contralto, clarinetto e trio d'archi, con la complicità di Schubert Stefano Gervasoni	PART05452 full score	1989
A chiar di luna, per orchestra Giovanni Tarditi	PART06394 full score	1/6/1935
Aria novella, per doppio quartetto Luca Francesconi	PART05289 full score	2001
Capricci armonici sopra la chitarra spagnola Ludovico Roncalli	PART03587 full score
Cenerentola, La Gioachino Antonio Rossini	PART07263 full score	1872
Chiarore dell'utopia, Il, per soprano e orchestra Armando Gentilucci	PART05394 full score	1/1985
D'apres... cinq chansons d'elite, per violoncello e pianoforte Azio Corghi	PART06963 full score	2006
Don Panfilo, canto humoristico a 3 voces P. Andrés Rosa	PART07528 full score	4/9/1949