Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
"Il Sospetto" , concerto per violino, archi e cembalo in do min. F.I n.2
Antonio Vivaldi |
PART07567
full score |
24/4/1947 | |
1. Ave Maria, offertorio a 5 voci e strumenti
Gaetano Donizetti |
PART01713
full score |
1842 | |
Adagio II, per orchestra d'archi
Ada Gentile |
PART05350
full score |
||
Amleto
Saverio Mercadante |
PART02706
full score |
||
Animali di Stranalandia, melologo comico per sax e voce rec.
Ada Gentile |
PART05352
full score |
||
Armonia drammatica, L' , per 7 solisti vocali,coro misto,orch.,sax tenore
Vinko Globokar |
PART06652
full score |
||
Astuzie femminili, Le
Domenico Cimarosa |
PART00984
full score |
19/1/1920 | |
B - A = BA, Variazioni sopra un tema infantile
Mario Castelnuovo-Tedesco |
PART00791
full score |
1929 | |
Berceuse variata
Salvatore Sciarrino |
PART03795
full score |