Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
"Komm, susser Todt" ("Vieni dolce morte"), Mottetto: trascrizione per chitarra di M. Giordano
Johann Sebastian Bach |
PART07302
full score |
||
6 Liriche
Franco Alfano |
PART00120
full score |
||
Allegria, L', Sette poesie di Giuseppe Ungaretti per canto e pianoforte
Antonio Veretti |
PART07283
full score |
8/1957 | |
Aria novella, per doppio quartetto
Luca Francesconi |
PART05289
full score |
2001 | |
Atlántida
Manuel de Falla |
PART05180
full score |
||
Berceuse variata
Salvatore Sciarrino |
PART03795
full score |
||
Brevi esercizi giornalieri, per violoncello
Giuseppe Selmi |
PART07575
full score |
||
Cinque pezzi facili, per pianoforte
Giuseppe Manzino |
PART07633
full score |
||
Concertino, per voce e fischietti
Stefano Gervasoni |
PART05457
full score |