Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Atemaj
Uros Rojko |
PART06167
full score |
26/4/1989 | |
Der atem der Verletzten zeit, per orch.sinfonica, 1ªversione
Uros Rojko |
PART06168
full score |
5/1988 | |
Der atem der Verletzten ziet, per orch.sinfonica. 2ªversione
Uros Rojko |
PART06169
full score |
5/1988 | |
Inner voices
Uros Rojko |
PART06171
full score |
1991 | |
Mo(ten)tion
Uros Rojko |
PART07008
full score |
22/12/1997 | |
Music for twelve
Uros Rojko |
PART06172
full score |
3/11/1987 | |
No, Tati
Uros Rojko |
PART06173
full score |
1991 | |
Ottoki
Uros Rojko |
PART06174
full score |
12/1990 | |
Passing away on two strings
Uros Rojko |
PART06175
full score |
20/1/1984 |