Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Breve, per onde martenot solo
Sylvano Bussotti |
PART00592
full score |
1958 | |
Brillante, per pianoforte gran coda (dal quinto movimento di Bergkristal) accompagnando, nei modi del novecento, un danzatore
Sylvano Bussotti |
PART00646
full score |
14/7/1975 | |
Cristallo di Rocca
Sylvano Bussotti |
PART00595
full score |
5/3/1983 | |
Deborah Parker, Aria per violoncello.
Sylvano Bussotti |
PART00616
full score |
9/1/1987 | |
Donna, La, Da "Le rarità, Potente"
Sylvano Bussotti |
PART00607
|
||
E l'uccellino, ninna-nanna per canto e pianoforte con l'aggiunta di Flauto, Clarinetto e Viola
Giacomo Puccini |
PART00655
|
11/7/1981 | |
Et due voci, per soprano e orchestra, 1958, revisione 1985
Sylvano Bussotti |
PART00591
full score |
||
H III, primo poema per orchestra
Sylvano Bussotti |
PART00649
full score |
19/12/1986 | |
In memoriam, (Cathy Berberian) per voce, flauto, viola e pf.
Sylvano Bussotti |
PART00623
full score |
21/6/1984 |