Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Camera obscura, Klavierquartett
Pietro Borradori |
PART04760
full score |
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Drei blicke in einem opal, per pf ed ensemble
Pietro Borradori |
PART04762
full score |
30/4/1994 | |
Fragmenta Veneris
Pietro Borradori |
PART04763
full score |
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Holzwege
Pietro Borradori |
PART04764
full score |
30/9/1988 | |
In media res
Pietro Borradori |
PART04765
full score |
3/12/1994 | |
Opus Alexandrinum, per violoncello solita e orchestra da camera
Pietro Borradori |
PART04766
full score |
1992 | |
Opus Incertum, per ensemble
Pietro Borradori |
PART04767
full score |
1992 | |
Opus Quadratum, per 8 strumenti a fiato
Pietro Borradori |
PART04768
full score |
1992 | |
Pan, per orchetsra
Pietro Borradori |
PART04769
full score |
7/1991 |