Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Aperite mihi portas , Motettum ad quatuor voces inaequales
Paul Hartmann |
PART02146
full score |
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Ave Maria , per coro (s., cti, t., b.), quart. d’archi, due cr. in fa ed org.
Paul Hartmann |
PART02148
full score |
||
Ave Maria , per ms. o bar. con acc. d’org. o harmonium
Paul Hartmann |
PART02150
full score |
||
Ave Maria..., Rid. per c. e pf. (dal M° C. Boehm di Amberg)
Paul Hartmann |
PART02149
arrangement/reduction |
||
Cena del Signore, La
Paul Hartmann |
PART02129
full score |
1/12/1903 | |
Christus factus est , Motetto, coro di donne a cappella a 3 voci
Paul Hartmann |
PART02152
full score |
||
Coro trionfale
Paul Hartmann |
PART02151
full score |
||
Deh! Mi apri o sorella, per s. (o t.) con acc. di pf.
Paul Hartmann |
PART02153
full score |
||
Geistliches Lied o Canto alla Madonna , per t. solo con org.o harmonium
Paul Hartmann |
PART02154
full score |
9/1/1905 |