Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
2° Concerto "I profeti", Riduzione
Mario Castelnuovo-Tedesco |
PART00789
full score |
1931 | |
3 Preludi alpestri
Mario Castelnuovo-Tedesco |
PART00785
full score |
1935 | |
3 Vocalizzi
Mario Castelnuovo-Tedesco |
PART00787
full score |
1928 | |
3 Vocalizzi, per violino e pianoforte | (Trascrizione di Mario Corti)
Mario Castelnuovo-Tedesco |
PART00792
full score |
||
B - A = BA, Variazioni sopra un tema infantile
Mario Castelnuovo-Tedesco |
PART00791
full score |
1929 | |
Ballade des biens immeubles
Mario Castelnuovo-Tedesco |
PART00781
full score |
31/7/1934 | |
Lucertolina
Mario Castelnuovo-Tedesco |
PART00784
full score |
31/1/1916 | |
Notturno e Tarantella, Da: Rapsodia napoletana “Piedigrotta 1924”
Mario Castelnuovo-Tedesco |
PART00788
full score |
||
Sonata quasi una fantasia , per violino e pianoforte
Mario Castelnuovo-Tedesco |
PART00793
full score |
1929 |