Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Ancor odono i colli, per sestetto di voci miste. Da Cinque frammenti all'Italia
Sylvano Bussotti |
PART05636
|
1967 | |
Baumszene, per 8 voci e orch.
Fabio Nieder |
PART05901
full score |
||
Crossing
Ludovico Einaudi |
PART05153
full score |
30/9/1985 | |
Inquieta limina, per ensemble con fisarmonica
Luca Francesconi |
PART05304
full score |
18/9/1996 | |
Medea-Suite, (6 canzoni da Medea) per voce leggera, soprano e orchestra
Adriano Guarnieri |
PART05637
|
1995 | |
Mälzel, parti elettroniche rifatte per partitura
Sergio Liberovici |
PART05633
full score |
24/5/1996 | |
Mälzel o Delle macchinazioni
Sergio Liberovici |
PART05635
full score |
||
Pieces de chair II, pour piano, baryton, une voix de femme, instruments
Sylvano Bussotti |
PART07013
|
1/2/1960 | |
Presenze, per 10 esecutori
Betty Olivero |
PART06989
|
1986 |