Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
27 Portraits N.2 , pour quatuor à cordes
Ionel Petroi |
PART06761
full score |
1996 | |
Cercuri n.2, pièce pour orchestre
Ionel Petroi |
PART06749
full score |
1993 | |
Cinques scenes d'exercises de conversation, per s. 2 sintetizzatori DX7 II, 2 perc., pf
Ionel Petroi |
PART06750
full score |
1994 | |
Ethnic cleansing, pour 8 vcelles et 4 percuss.
Ionel Petroi |
PART06752
full score |
1996 | |
Exercises de conversation, 5 nouvelles scenes
Ionel Petroi |
PART06753
full score |
1995 | |
Festivo, pour 6 violons,2altos,2vcelles et 1 contrabasse
Ionel Petroi |
PART06754
full score |
1997 | |
Fete annonce la mort, La, pièce pour grande orch.
Ionel Petroi |
PART06751
full score |
1993 | |
Linee di forza
Dario Maggi |
PART06756
full score |
12/1985 | |
Melodie de Sancho Pança, La, pour barytone et quintette à cordes
Ionel Petroi |
PART06757
full score |
1996 |