Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Abitator del bosco, L’
Stefano Pavesi |
PART03062
full score |
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Amico dell’uomo, L'
Ferdinando Orlandi |
PART02961
full score |
||
Amore aguzza l’ingegno
Filippo Celli |
PART00919
full score |
1813 | |
Amor vero e amor interessato
Stefano Pavesi |
PART03064
full score |
||
Claudina in Torino
Carlo Coccia |
PART01004
full score |
||
Due giornate, Le
Giovanni Simone Mayr |
PART02691
full score |
||
Euristea
Carlo Coccia |
PART01011
full score |
||
Giulietta e Romeo
Nicola Antonio Zingarelli |
PART04553
full score |
||
Incantesimo senza magia, L'
František Josef Benedikt Dussek |
PART01736
full score |