Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Ad Ischia, rimembranza (per ms. )
Giovanni Bottesini |
PART00390
full score |
||
Alì Babà
Giovanni Bottesini |
PART00410
full score |
||
Assedio di Firenze, L'
Giovanni Bottesini |
PART00387
full score |
12/6/1861 | |
Che cosa è Dio?
Giovanni Bottesini |
PART00400
full score |
||
Che cosa è Satana?
Giovanni Bottesini |
PART00401
full score |
||
Contrabbandiere, Il
Giovanni Bottesini |
PART00402
full score |
||
Diavolo della notte, Il
Giovanni Bottesini |
PART00388
full score |
22/10/1858 | |
Ero e Leandro
Giovanni Bottesini |
PART00389
full score |
3/12/1879 | |
Fidanzata del demonio, La, Leggenda tedesca (per 2 voci e pf.)
Giovanni Bottesini |
PART00403
full score |