Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Ad Ischia, rimembranza (per ms. )
Giovanni Bottesini |
PART00390
full score |
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Alì Babà
Giovanni Bottesini |
PART00410
full score |
||
Che cosa è Satana?
Giovanni Bottesini |
PART00401
full score |
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Contrabbandiere, Il
Giovanni Bottesini |
PART00402
full score |
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Ero e Leandro
Giovanni Bottesini |
PART00389
full score |
3/12/1879 | |
Gran duo concertante, per orchestra
Giovanni Bottesini |
PART04772
arrangement/reduction |
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II Quartetto
Giovanni Bottesini |
PART00408
parts |
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I Quartetto
Giovanni Bottesini |
PART00407
full score |
15/9/1845 | |
Je t’aime!... , Melodie pour chant avec accomp.de piano
Giovanni Bottesini |
PART00404
full score |