Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Anarca, per orchestra
Giorgio Battistelli |
PART04631
full score |
29/3/1989 | |
Anima, per xilomarimba,marimba bassa e gran-cassa
Giorgio Battistelli |
PART04632
full score |
8/1988 | |
Aphrodite, monodramma di costumi antichi
Giorgio Battistelli |
PART04630
full score |
1983 | |
Ascolto di Rembrandt, per voce, piccola orchestra e ragistrazioni
Giorgio Battistelli |
PART04633
full score |
9/6/1991 | |
Auf den Marmor-klippen, Musikalische visionen nach dem roman von Ernst Jünger
Giorgio Battistelli |
PART07004
full score |
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Begleitmusik zu einer dichtspieleszene, per 12 strumenti
Giorgio Battistelli |
PART04634
full score |
12/1994 | |
Combat d'Hector et d'Achille, Le, Representation de corps et de memoire per musici oratori
Giorgio Battistelli |
PART04635
full score |
8/1989 | |
Combattimento di Tancredi e Clorinda, d'après Claudio Monteverdi
Giorgio Battistelli |
PART06972
full score |
9/6/2005 | |
Comme un opera fabuleux
Giorgio Battistelli |
PART04636
full score |
1/1979 |