Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
"Il Sospetto" , concerto per violino, archi e cembalo in do min. F.I n.2
Antonio Vivaldi |
PART07567
full score |
24/4/1947 | |
Allegra brigata, L', 6 novelle in un dramma (3 atti)
Gian Francesco Malipiero |
PART02330
full score |
8/9/1943 | |
Baruffe chiozzotte, Le
Gian Francesco Malipiero |
PART02345
full score |
17/1/1920 | |
Bottega da caffé, La
Gian Francesco Malipiero |
PART02343
full score |
29/7/1922 | |
Canto notturno di un pastore errante dell'Asia, per orchestra,coro e voce di baritono
Gian Francesco Malipiero |
PART05772
full score |
1910 | |
Canzoni amorose, (da G. B. Bassani) per archi soli
Gian Francesco Malipiero |
PART02364
full score |
||
Commiato, Il, per baritono e orchestra. Poesia di G. Leopardi
Gian Francesco Malipiero |
PART02357
full score |
28/7/1934 | |
Concerto , per pianoforte e orchestra
Gian Francesco Malipiero |
PART02348
full score |
10/6/1934 | |
Concerto in La maggiore, per archi e cembalo. F.XI n.4
Antonio Vivaldi |
PART07577
full score |