Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
"Il Sospetto" , concerto per violino, archi e cembalo in do min. F.I n.2
Antonio Vivaldi |
PART07567
full score |
24/4/1947 | |
Concerto in Do maggiore, per violino, due violoncelli, archi e cembalo
Antonio Vivaldi |
PART07064
|
1/1949 | |
Concerto in Fa maggiore per archi e cembalo, F. XI n 14
Antonio Vivaldi |
PART07073
|
1/1949 | |
Concerto in Fa maggiore per la solennità di San Lorenzo, per violino, archi e cembalo. F. I n 20
Antonio Vivaldi |
PART07037
|
4/1949 | |
Concerto in Fa maggiore per violino, archi e cembalo, F. I n 17
Antonio Vivaldi |
PART07046
|
||
Concerto in Re maggiore per due violini, liuto, e b.c., F. XII n 15
Antonio Vivaldi |
PART07050
|
1/1949 | |
Concerto in Re maggiore per violino, archi e cembalo, F. I n 19
Antonio Vivaldi |
PART07035
|
4/1949 | |
Concerto in Sib maggiore per oboe, violino, archi e cembalo, F. XII n 16
Antonio Vivaldi |
PART07043
|
||
Concerto in Sol maggiore per flauto, oboe, violino, fagotto e basso continuo, F XII n 13
Antonio Vivaldi |
PART07062
|
1/1949 |