Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Conte di San Ronano, Il , (ossia Satana Conte di San Ronano)
Nicola De Giosa |
PART01231
full score |
12/6/1878 | |
Correzioni Musicali
Michele Eulambio |
PART07858
other |
1961 | |
Festa del villaggio, Stornello
Luigi Denza |
PART01357
full score |
||
Gabriella Candiano
Augusto Moroder |
PART02806
full score |
||
Je ne t’aime plus!, Chansonnette
Luigi Denza |
PART01437
full score |
||
Marion Delorme
Amilcare Ponchielli |
PART03323
full score |
||
Sera d’aprile
Luigi Denza |
PART01494
full score |