Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Adagio dal 3° Quartetto, Trascr. per orch.
Don Lorenzo Perosi |
PART03145
full score |
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Dal Quartetto per archi n. 11 “Adagio”
Don Lorenzo Perosi |
PART03149
parts |
||
Dal Quartetto per archi n. 11 “Adagio”
Don Lorenzo Perosi |
PART03148
parts |
||
Dal Quartetto per archi n. 11 “Adagio”
Don Lorenzo Perosi |
PART03147
parts |
||
Dal Quartetto per archi n. 11 “Adagio”
Don Lorenzo Perosi |
PART03146
parts |
||
Elegia, per vc. e pf.
Don Lorenzo Perosi |
PART03143
full score |
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In patris memoriam
Don Lorenzo Perosi |
PART06789
full score |
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Messa corale da Requiem, riduz. per voci e organo di Luigi Cervi.
Don Lorenzo Perosi |
PART03152
arrangement/reduction |
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Messa corale da Requiem, composta per piccola orchestra e 4 voci d'uomo
Don Lorenzo Perosi |
PART03151
full score |
1902 |