Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Unreported Inbound Palermo
Alessandro Melchiorre |
PART05846
full score |
||
Unreported Inbound Palermo
Alessandro Melchiorre |
PART05847
full score |
||
Unreported Inbound Palermo, per S,M/S,BR,3 voci rec.,coro da camera, strum. ed elabor.elettronica
Alessandro Melchiorre |
PART05851
full score |
1998 | |
Unreported Inbound Palermo, dramma musicale in tre scene su testo di Daniele Del Giudice, per soprano, mezzosoprano, baritono, tre voci recitanti, coro da camera, strumenti e elaborazione elettronica. Versione Bologna
Alessandro Melchiorre |
PART05852
arrangement/reduction |
1998 | |
Unreported Inbound Palermo (1997)
Alessandro Melchiorre |
PART05848
full score |
1997 |