Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Antiche arie e danze per liuto - III Suite, Trascrizione libera per orchestra d'archi
Ottorino Respighi |
PART03488
full score |
11/1931 | |
Antiche danze ed arie per liuto, II Suite
Ottorino Respighi |
PART03499
arrangement/reduction |
11/1923 | |
Antiche danze ed arie per liuto - II Suite, Trascrizione libera per orchestra
Ottorino Respighi |
PART03481
full score |
9/1923 | |
Belfagor
Ottorino Respighi |
PART03498
arrangement/reduction |
1922 | |
Belfagor
Ottorino Respighi |
PART03478
full score |
1922 | |
Belfagor , Ouverture per orchestra
Ottorino Respighi |
PART03490
full score |
3/1924 | |
Belkis, regina di Saba
Ottorino Respighi |
PART03507
arrangement/reduction |
||
Belkis, regina di Saba , Azione mimo-coreografica
Ottorino Respighi |
PART03491
full score |
20/10/1931 | |
Fiamma, La
Ottorino Respighi |
PART03479
full score |
3/2/1933 |