Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Begli usi di città
Carlo Coccia |
PART01012
full score |
||
Caterina di Guisa
Carlo Coccia |
PART01002
full score |
1832 | |
Caterina di Guisa (rinnovata)
Carlo Coccia |
PART01003
full score |
1836 | |
Claudina in Torino
Carlo Coccia |
PART01004
full score |
||
Euristea
Carlo Coccia |
PART01011
full score |
||
Favore e la gratitudine, Il
Carlo Coccia |
PART01013
full score |
1811 | |
Figlia dell’arciere, La
Carlo Coccia |
PART01006
full score |
1833 | |
Giovanna seconda regina di Napoli
Carlo Coccia |
PART01010
full score |
1840 | |
Matilde, La , ossia Una fatale supposizione
Carlo Coccia |
PART01014
|
1811 |