Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Amori e trappole
Antonio Cagnoni |
PART00680
full score |
||
Andante , per 4 vl. con acc. d’arpa o pf.
Antonio Cagnoni |
PART00687
full score |
||
Capriccio di donna, Un
Antonio Cagnoni |
PART00681
full score |
||
Don Bucefalo
Antonio Cagnoni |
PART00682
full score |
||
Duca di Tapigliano, Il
Antonio Cagnoni |
PART00675
full score |
||
Emiro, L'
Antonio Cagnoni |
PART00676
full score |
||
Fioraja, La
Antonio Cagnoni |
PART00683
full score |
||
Giralda
Antonio Cagnoni |
PART00677
full score |
||
Invito a Batillo, per baritono e pf.
Antonio Cagnoni |
PART00689
full score |