Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
2 Ariette antiche, trascritte per chitarra da Miguel Ablòniz
Alessandro Scarlatti , Antonio Caldara |
PART07458
full score |
||
4 Cantate, (inedite)
Alessandro Scarlatti |
PART07650
full score |
||
Concerto VI, in mi maggiore per due violini concertanti, archi e cembalo di ripieno
Alessandro Scarlatti |
PART07508
full score |
1957 | |
Dixit (Dominus) , a 5 (con acc. di basso continuo)
Alessandro Scarlatti |
PART03775
full score |
||
Sento nel core, trascrizione per chitarra di M. Ablòniz
Alessandro Scarlatti |
PART07461
full score |
||
Serenata a 4 voci, Primavera - Estate - Autunno - Inverno
Alessandro Scarlatti |
PART07509
full score |
1962 | |
Toccata
Alessandro Scarlatti |
PART07415
full score |
||
“Le violette”, Canzone per s., strum. (per archi) di B. Molinari
Alessandro Scarlatti |
PART02755
full score |
3/1922 |