Centro Studi Belliniani | Collezione Digitale

Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.

Description	ID	Date
Spiriti dell'aria, Gli, ovvero Il sogno di Pulcinella Matteo D'Amico	PART05064 full score
Stabat Mater, Cantata sacra e profana per soprano, mezzosoprano, voce recitante archi e percussione Matteo D'Amico	PART05066 full score	1999
Terzina in rima, per 5 strumenti Matteo D'Amico	PART05067 full score
Variationes machault Matteo D'Amico	PART05068 full score	1987
Veianio, cantata da camera per voce rec.,soprano, baritono e strumenti Matteo D'Amico	PART05070 full score	2001
Wooden wood, stesura provvisoria Matteo D'Amico	PART05072 full score
Wooden wood II, per ensemble di percussioni Matteo D'Amico	PART05073 full score	2001
…resto nol dico, Il Matteo D'Amico	PART05056 full score	1990