Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Berceuse variata
Salvatore Sciarrino |
PART03795
full score |
||
Biogramma, per grande orchestra
Bruno Maderna |
PART02308
full score |
1972 | |
Bok
Franco Donatoni |
PART01582
full score |
16/8/1990 | |
Breve, per onde martenot solo
Sylvano Bussotti |
PART00592
full score |
1958 | |
Brillante, per pianoforte gran coda (dal quinto movimento di Bergkristal) accompagnando, nei modi del novecento, un danzatore
Sylvano Bussotti |
PART00646
full score |
14/7/1975 | |
Cadenziario
Salvatore Sciarrino |
PART03801
full score |
1991 | |
Canto a las madres de los milicianos muertos, Riduzione per voci e pianoforte
Flavio Testi |
PART03972
arrangement/reduction |
||
Canzon I, trascrizione per orchestra
Giovanni Gabrieli |
PART06986
full score |
1998 | |
Canzon XIII, Trascrizione per orchestra
Giovanni Gabrieli |
PART06985
full score |
1998 |