Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Concerto in la minore, per flauto, due violini e basso continuo. F.XII n.11
Antonio Vivaldi |
PART07534
full score |
||
Concerto in la minore per fagotto, archi e cembalo, F. VIII n 7
Antonio Vivaldi |
PART07041
|
||
Concerto in mi minore per archi e cembalo, F. XI n 13
Antonio Vivaldi |
PART07069
|
1/1949 | |
Concerto in mi minore per fagotto, archi e cembalo, F. VIII n 6
Antonio Vivaldi |
PART07038
|
||
Concerto in re maggiore, per flauto, violino, fagotto o violoncello. F.XII n.7
Antonio Vivaldi |
PART07557
full score |
||
Concerto in re maggiore, per violino, archi e cembalo
Antonio Vivaldi |
PART07549
full score |
||
Concerto in re maggiore "del Gardellino", per flauto, oboe, violino, fagotto e basso continuo. F. XII n.9
Antonio Vivaldi |
PART07560
full score |
||
Concerto in re minore, per violino "senza cantin", archi e cembalo. F.I n.11
Antonio Vivaldi |
PART07535
full score |
||
Concerto in re minore per fagotto, archi e cembalo, F. VIII n 15
Antonio Vivaldi |
PART07034
|