Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Chi sa!, Vecchia canzone Napoletana
Francesco Paolo Tosti |
PART04069
full score |
8/1902 | |
Chitarrata Abruzzese
Francesco Paolo Tosti |
PART04070
full score |
8/1909 | |
Demain!, Mèlodie
Francesco Paolo Tosti |
PART04071
full score |
9/1891 | |
Deux Chansons
Francesco Paolo Tosti |
PART04068
full score |
1898 | |
Deux petites mélodies
Francesco Paolo Tosti |
PART04167
full score |
1903 | |
Dis-moi donc!..., (Ballade russe) Chansonette
Francesco Paolo Tosti |
PART04074
full score |
||
Dopo!, Melodia
Francesco Paolo Tosti |
PART04075
full score |
2/1877 | |
Due Melodie
Francesco Paolo Tosti |
PART04114
|
||
Due piccoli notturni
Francesco Paolo Tosti |
PART04170
full score |
9/1911 |