Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Oratore da caffé, L’
Paolo Maggi |
PART02325
full score |
1883 | |
Papà Martin
Antonio Cagnoni |
PART00685
full score |
||
Patria
Enrico Bernardi |
PART00270
full score |
14/1/1880 | |
Preziosa
Antonio Smareglia |
PART03914
full score |
||
Promessi sposi, I
Errico Petrella |
PART03205
full score |
19/9/1869 | |
Quintetto in La maggiore, per 2 violini, viola e 2 violoncelli
Antonio Bazzini |
PART00222
parts |
1883 | |
Rienzi, Sinfonia
Richard Wagner |
PART04454
full score |
28/9/1868 | |
Ritorno, Il, Romance
Francesco Sinico |
PART03905
full score |
||
Scena e duetto , di “Due gobbi rivali”
Michele Novaro |
PART02939
full score |
21/3/1862 |