Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Nocturnus visus, per clarinetto solo
Azio Corghi |
PART04985
full score |
22/5/1999 | |
Nocturnus visus, versione per sax
Azio Corghi |
PART04986
full score |
2002 | |
Nuits d'été à Pausilippe, cadenze per il soprano
Gaetano Donizetti |
PART05133
full score |
9/1997 | |
Nuits d'été à Pausilippe, 6 Ariette per voce, 2 mandolini e archi
Gaetano Donizetti |
PART04720
|
1997 | |
Percussions' suite, Trascrizione per 6 percussionisti. Da Un petit train de plaisir
Azio Corghi |
PART04987
arrangement/reduction |
28/2/1997 | |
Petit Caprice, (Style Offenbach) da Péchés de vieillesse
Azio Corghi |
PART04988
|
8/1992 | |
Petit train de plaisir, Un, Suite
Azio Corghi |
PART04737
full score |
1992 | |
Petit train de plaisir, Un, per 2 pianoforti e percuss.
Azio Corghi |
PART04989
full score |
||
Poema sinfonico, sette scene da Blimunda
Azio Corghi |
PART06953
full score |
2006 |