Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Allamistakeo
Giulio Viozzi |
PART04408
|
||
Al silenzio, Da: 3 Cori a voci d’uomini
Vittore Veneziani |
PART04360
full score |
||
Altissimo, per orchestra da camera
Ludovico Einaudi |
PART05146
full score |
4/1985 | |
Altissimo, per 17 esecutori
Ludovico Einaudi |
PART05145
full score |
8/1984 | |
Alto, (da Saga) 1ª stesura, per sax. c. in Mi b.
Fabio Nieder |
PART05899
full score |
5/1985 | |
Alto , 2° versione
Fabio Nieder |
PART05898
full score |
1989 | |
Amok koma, per ensemble ed elettronica
Fausto Romitelli |
PART06181
full score |
10/2001 | |
Amore e addio
Paolo Perezzani |
PART06055
full score |
||
Anelda di Messina
Edoardo Vera |
PART04364
full score |