Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Pas si, teatrino ambulante per 2 attori e 1 fisarmonicista
Stefano Gervasoni |
PART05474
full score |
8/3/1999 | |
Recitativo, Un, per voce femminile e 9 strum.
Stefano Gervasoni |
PART05479
full score |
6/1988 | |
Rigirio, per sax baritono,percussioni e pf.
Stefano Gervasoni |
PART05480
full score |
29/6/2000 | |
Sensibile per orchestra, per orchestra
Stefano Gervasoni |
PART01976
full score |
4/1989 | |
Sonata sopra Sancta Maria, ricreazione da C.Monteverdi (revisione luglio 2001)
Stefano Gervasoni |
PART05481
full score |
2000 | |
Studio di disabitudine, per pianoforte (1999), revisione 2002
Stefano Gervasoni |
PART05482
full score |
2002 | |
Su un arco di bianco
Stefano Gervasoni |
PART05483
full score |
1991 | |
Terzo paesaggio senza peso, Trittico grave
Stefano Gervasoni |
PART05472
full score |
||
Tornasole, Trittico grave
Stefano Gervasoni |
PART05484
parts |
6/12/1993 |