Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Rondò, per violoncello e pianoforte
Sandro Gorli |
PART05522
full score |
||
Rondò, per viola e pianoforte
Sandro Gorli |
PART05523
full score |
||
Silent stream, The, per violoncello e orchestra
Sandro Gorli |
PART05525
full score |
25/5/1979 | |
Solo
Sandro Gorli |
PART05524
full score |
||
Stanza segreta, La
Sandro Gorli |
PART05526
full score |
||
Studi in forma di variazione, per pianoforte
Sandro Gorli |
PART05527
full score |
||
Super flumina, per oboe, viola e orchestra
Sandro Gorli |
PART05528
full score |
1987 | |
Ultimo ricordo di luce, L', per voce femminile e pianoforte su testi di A. Strindberg
Sandro Gorli |
PART05529
|
||
Vie dei canti, Le, per oboe,viola e arpa
Sandro Gorli |
PART05530
full score |
1988 |