Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Francesca da Rimini
Riccardo Zandonai |
PART04489
full score |
9/12/1913 | |
Gazza ladra, La
Riccardo Zandonai |
PART04537
|
||
Gazza ladra, La
Riccardo Zandonai |
PART04536
|
21/8/1941 | |
Gazza ladra, La
Riccardo Zandonai |
PART04535
|
1/1942 | |
Giuliano
Riccardo Zandonai |
PART04500
full score |
28/10/1927 | |
Giuliano
Riccardo Zandonai |
PART04490
arrangement/reduction |
||
Giulietta e Romeo, Danza del torchio e cavalcata
Riccardo Zandonai |
PART04503
full score |
11/1927 | |
Giulietta e Romeo , Tragedia in tre atti
Riccardo Zandonai |
PART04540
arrangement/reduction |
9/11/1921 | |
Giulietta e Romeo , (modifiche)
Riccardo Zandonai |
PART04525
|