Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Sarabanda e Double e Bourrée e Double, (dalla 1° Partita per violino)
Johann Sebastian Bach |
PART07474
full score |
||
Sei corali per organo
Johann Sebastian Bach |
PART00997
other |
1/1931 | |
Sette Corali, per organo in onore di J. S. Bach
Wolfango Dalla Vecchia |
PART02569
|
1985 | |
Sonata a tre, dalla “Musikalisches Opfer” - Trascr. per vl., vc. ed interpretazione del “continuo” originale a cura di A. Casella
Johann Sebastian Bach |
PART00163
full score |
||
Sonntagsgruss, per violino e v.cello
Fabio Nieder , Johann Sebastian Bach |
PART05955
full score |
10/4/1988 | |
Toccata e fuga in Re minore, elaborazione per flauto solo di Salvatore Sciarrino
|
PART00164
full score |
||
Tre corali , dai Choralvorspiele per organo, interpretazione strumentale di O.Respighi
|
PART06159
full score |
1930 | |
Tre corali di Bach, (dai “Choravorspiele” per organo) Interpretazione orchestrale
Ottorino Respighi |
PART03486
full score |
10/1930 |