Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Sacra rappresentazione di Abram e Isaac, La
Ildebrando Pizzetti |
PART03294
full score |
19/12/1927 | |
Sinfonia in La, Bozza di stampa con corr. dell'autore
Ildebrando Pizzetti |
PART03295
|
||
Sinfonia in la
Ildebrando Pizzetti |
PART03307
full score |
||
Sonata in Fa
Ildebrando Pizzetti |
PART03286
full score |
1921 | |
Straniero, Lo
Ildebrando Pizzetti |
PART03291
full score |
||
Tre canti, Versione per violoncello e pianoforte
Ildebrando Pizzetti |
PART03280
full score |
1924 | |
Tre canti
Ildebrando Pizzetti |
PART06853
|
||
Tre canti, per violino e pianoforte
Ildebrando Pizzetti |
PART03285
full score |
1924 | |
Tre canti, per vla e pf, Trascr. dal vc. e riveduti a cura di E. Polo
Ildebrando Pizzetti |
PART03301
parts |
8/1944 |