Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Concerto in do minore, per violoncello, archi e cembalo. F. III n.1
Antonio Vivaldi |
PART07583
full score |
||
Concerto in do minore, per due violini, archi e cembalo. F.I n.12
Antonio Vivaldi |
PART07538
full score |
||
Concerto in do minore, per archi e cembalo. F.XI n.8
Antonio Vivaldi |
PART07548
full score |
||
Concerto in do minore, per archi e cembalo. F.XI n.9
Antonio Vivaldi |
PART07550
full score |
||
Concerto in do minore per 2 violini, archi e cembalo, F I n 14
Antonio Vivaldi |
PART07075
|
1/1949 | |
Concerto in fa magg., per archi e cembalo. F. XI n.2
Antonio Vivaldi |
PART07563
full score |
5/1947 | |
Concerto in fa maggiore, per due corni, due oboi, fagotto, violino principale, archi e cembalo.
F.XII n. 10
Antonio Vivaldi |
PART07533
full score |
3/1947 | |
Concerto in la maggiore, per archi e cembalo. F. XI n.1
Antonio Vivaldi |
PART07561
full score |
||
Concerto in la maggiore, per violino, archi e cembalo. F.I n.5
Antonio Vivaldi |
PART07570
full score |