Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Gemma di Vergy
Gaetano Donizetti |
PART01704
full score |
1835 | |
Gianni di Parigi
Gaetano Donizetti |
PART01695
full score |
1832 | |
Giuramento, Il, Nuits d'été à Pausilippe, notturno per picc.orch.
Gaetano Donizetti |
PART05131
full score |
1/5/1997 | |
Guardo e una voce, Un, Nuits d'été à Pausilippe, notturno per picc.orch.
Gaetano Donizetti |
PART05132
full score |
28/4/1997 | |
Lettera anonima, La
Gaetano Donizetti |
PART01705
full score |
||
Linda di Chamounix
Gaetano Donizetti |
PART01708
full score |
5/1842 | |
Lucrezia Borgia
Gaetano Donizetti |
PART01709
|
1833 | |
Lucrezia Borgia N.9, Originale del Revisore della 2ª e 3ª versione del Finale
Gaetano Donizetti |
PART06009
full score |
||
Luge qui legis , Marcia funebre
Gaetano Donizetti |
PART01722
full score |
1842 |