Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Sette peccati, I , Rappr.coreografica. Altra copia della rid. per voci e 2 pf.
Antonio Veretti |
PART04380
|
23/2/1954 | |
Sinfonia epica
Antonio Veretti |
PART04376
full score |
||
Sinfonia italiana , (Il popolo e il profeta)
Antonio Veretti |
PART04378
full score |
||
Sonata come una fantasia
Antonio Veretti |
PART04392
full score |
||
Sonata in fa
Antonio Veretti |
PART04391
full score |
12/1926 | |
Sonatina , per pianoforte
Antonio Veretti |
PART07656
full score |
17/8/1956 | |
Suite in Do per orchestra , Dall'atto unico 'Una favola di Andersen'
Antonio Veretti |
PART04371
full score |
1935 | |
Tre canti, musicati per una voce e orch.
Antonio Veretti |
PART04389
|
3/1930 | |
Tre canti di Pascoli , musicati per una voce e piccola orchestra
Antonio Veretti |
PART04368
full score |
13/3/1933 |